Cougar — Framed Piece Mat:White The atmospheric treatment — the

The atmospheric treatment — the flowers dissolving at the edges

Where the Cougar painting demonstrates anatomical power and formal authority

maple leaves scattered around them

Two Common Loons on a Shield lake as a summer storm passes — the sky still dramatic with departing cloud

This is the painting that defines the fawn in Canadian wildlife art: the animal perfectly still

Cougar — Framed Piece Mat:White The atmospheric treatment — theA cougar descends a rock face low and deliberate, its mouth slightly open, every muscle of the haunches visible under the tawny coat. The field notes at the bottom of the painting record the specimen: a female from the north end of Vancouver Island, collected in November 1932, now held in the ROM collection. This scientific context is not incidental Glen worked from actual specimens as well as field observation, and the anatomical precision of this