its cantilevered ironwork drawn with the gravity of an engineer who knew he was stitching Manhattan to Queens
An ecclesiastical portrait of the Black American clergyman who carried his miter to Port-au-Prince
Surrender of General Lee at Appomattox Court House Va April 9th 1865 — a documentary engraving of the moment the Army of Northern Virginia laid down its arms in a Virginia parlor
when Lincoln had passed from president into patron saint and printers competed to enshrine the martyr in parlor varnish three decades after Ford's Theatre
The Mechanics of Darkness a Victorian Study in Celestial Shadow charts eclipse geometry with the grave precision of a clockmaker dissecting an angel — umbra and penumbra plotted across the firmament as if shadow itself were a substance that could be measured
Charles F. Adams, Free Soil Candidate for Vice President 1848 Frame Style:Canvas Wrap its cantilevered ironwork drawn withCharles F. Adams, Free Soil Candidate for Vice President 1848. A campaign portrait of the grandson and son of presidents, conscripted onto the Van Buren ticket under the banner of Free Soil a party whose single, unblinking demand was that the territories remain unstained by slavery. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional historical societies, and