Helen Frankenthaler: After Abstract Expressionism, 1959–1962 Katy Homans The title is derived from

The title is derived from a song by the Eagles that features a cowhand whose tortured imagination invites comparison with the struggles of an artist

Combining expressive linework with compelling symbolism

structured dress shirts are made of heavy cotton and feature mother-of-pearl buttons

Accompanying the texts are images from the MoMA archives

and Christina Ramberg

Helen Frankenthaler: After Abstract Expressionism, 1959–1962 Katy Homans The title is derived fromThis book was published on the occasion of Helen Frankenthaler: After Abstract Expressionism, 19591962 at Gagosian, rue de Ponthieu, Paris, the first major exhibition of the artists work in Paris in more than fifty years. It brought together fourteen paintings and two works on paper to explore a radical, lesser known body of work that demonstrates Frankenthalers deliberate return to gestural improvisation, creating paintings with imposing scale and