Rachel Whiteread: Secondhand Michael Govan I felt that what I

I felt that what I was doing was very moral

The exhibition examines the intersection of Picasso’s bullfighting imagery with his mythological and biographical compositions of the 1930s

The exhibition included new paintings from the artist’s Butterfly and Face series

and the Schindler House in Los Angeles

the artist’s first solo exhibition in Greece

Rachel Whiteread: Secondhand Michael Govan I felt that what IThis ghostly white sculptural multiple is based on an assemblage of vintage dollhouse furniture arranged by Rachel Whiteread in a manner mimicking displays seen outside used furniture stores. The sculpture was produced using an advanced form of stereolithography based on 3 D scans taken of the arrangement. Traces remain of the idiosyncrasies of the original model furniture, which is here reduced to a scaled down, highly minimal object presented in a